Spring and All

Spring slips into place today. There is a good chance that where you are now doesn’t look or feel like spring. In Paradelle, it still looks like winter but for a few buds on trees or shoots poking out of the muddy ground. Of course, you might be south of me and it looks like summer, or far north where winter still reigns.

Spring 2021 in the Northern Hemisphere will begin on March 20 and ends on
June 20. By that last day of spring, it will probably look and feel like summer here.

In William Carlos Williams’ poem, “Spring and All,” the opening is rather ominous.
By the road to the contagious hospital
under the surge of the blue
mottled clouds driven from the
northeast—a cold wind.

Williams wrote the poem not long after T. S. Eliot’s “The Waste Land,” was published. Eliot’s poem also opens with a not-so-favorable view of early spring.
April is the cruellest month, breeding
Lilacs out of the dead land, mixing
Memory and desire, stirring
Dull roots with spring rain.

Eliot goes on to use an image of winter that is not typical:
Winter kept us warm, covering
Earth in forgetful snow, feeding
A little life with dried tubers.

When we brought my first son home from the hospital, it was the first day of spring and the daffodils, crocuses, and wood hyacinths were covered with snow.  Spring is a fickled season.

In literature and mythology, spring usually concerns themes of rebirth and renewal with symbols from the season. Spring also refers to love, hope, youth and growth. The seasonal symbolism for this period may also allude to religious celebrations such as Passover or Easter.

Today is that moment that is the Vernal Equinox. Vernal translates to “new” or “fresh.” The two equinoxes come from the Latin aequus (equal) and nox (night). The time of daylight between sunrise and sunset has been growing slightly longer each day since the Winter Solstice in December. Of course, we messed with the celestial plan last weekend with Daylight Saving Time.

I still try to mark the vernal equinox as it has been seen for centuries as a turning point. It is not the only turning point, but daylight does defeat darkness, and that is a reason to celebrate.

Soon, I hope the only things like snowfall here will the storm of blossoms from cherry and other spring-blooming trees.

Meditations on the Night Sky and a Sunday Morning

Matisse - Fruit and Coffeepot
Henri Matisse – Fruit and Coffeepot (1898)
Complacencies of the peignoir, and late
Coffee and oranges in a sunny chair,
And the green freedom of a cockatoo
Upon a rug mingle to dissipate
The holy hush of ancient sacrifice.
She dreams a little, and she feels the dark
Encroachment of that old catastrophe,
As a calm darkens among water-lights.

It’s was clear enough this past week for me to have had the chance of seeing some of the meteors known as the Leonid meteor shower. I went outside and stared up into the deep, dark sky. But I didn’t see any shooting stars or fireballs.

Something I did see this past week was an article that noted that the poem “Sunday Morning” is 100 years old. That really surprised me. It shouldn’t surprise me, because Wallace Stevens was writing in the early 1900s.

Sunday Morning” starts out pretty nice (as shown at the top of this post) with coffee and oranges, a woman in a negligee and a cockatoo hopping on the rug.  But Stevens isn’t really known for lightness.

I first read the poem in a college class and we dissected it. It is a serious poetic meditation, a philosophical poem about what might happen to us when we die.

The “pungent oranges and bright, green wings” very quickly transform into:
…things in some procession of the dead,
Winding across wide water, without sound.
The day is like wide water, without sound,
Stilled for the passing of her dreaming feet
Over the seas, to silent Palestine,
Dominion of the blood and sepulchre.

When “Sunday Morning” was published in 1915 in Poetry magazine, the Modernist movement was the thing. T.S. Eliot’s “The Love Song of J. Alfred Prufrock” also was published that year.

So, on this Sunday morning, why am I connecting this poem and a night sky?

When I was staring up at the sky the other night, I was pulled into thoughts about old age and death. I don’t know that gazing into the universe at night causes those kinds of feeling for everyone, but eternity and the impossibility of it really do fit together.

I find that sometimes I have to fight moving from a happy moment of coffee and oranges to a sad one . They also fit together sometimes too. Something is so good that you start thinking about it being gone.

That night sky does make me think about eternity. It is the only thing I can see that comes close to being eternity.

Eliot’s Prufrock wonders

Do I dare
Disturb the universe?
In a minute there is time

For decisions and revisions which a minute will reverse.

For I have known them all already, known them all:
Have known the evenings, mornings, afternoons,
I have measured out my life with coffee spoons;
I know the voices dying with a dying fall
Beneath the music from a farther room.

Do I dare even stare into that universe that reverses our decisions and revisions so easily?

What about an afterlife?

Stevens writes:

Is there no change of death in paradise?
Does ripe fruit never fall? Or do the boughs
Hang always heavy in that perfect sky,
Unchanging, yet so like our perishing earth,
With rivers like our own that seek for seas
They never find, the same receding shores
That never touch with inarticulate pang?

I don’t find any comfort in the concept of an afterlife. I suppose that means I lack faith.  I never did believe, or perhaps I was afraid to believe. Even as a child, I found an afterlife frightening. It scared me that people who died were somewhere watching us.

Maybe I’m just feeling age building up in inside me.  I grow old. I already wear the bottoms of my trousers rolled.

More likely, I am feeling more in love with life and with those people I love. I don’t want them shooting off into space or eternity. I want them here.

It is a sunny, autumn Sunday morning after the terror attacks in Paris. I don’t have any oranges in the house, but I was just having coffee with my wife in her peignoir and I need to hold onto this morning well into evening and the night.

And, in the isolation of the sky,
At evening, casual flocks of pigeons make
Ambiguous undulations as they sink,
Downward to darkness, on extended wings.

April Is the Cruelest Month

bulbs

In his poem “The Waste Land,” T.S. Eliot said that “April is the cruelest month.”

Why?  Because in its

“…breeding
Lilacs out of the dead land, mixing
Memory and desire, stirring
Dull roots with spring rain”

it mixes new life and desire with things that have died and passed.

That’s not our usual approach to the spring season, but Eliot continues that:

“Winter kept us warm, covering
Earth in forgetful snow, feeding
A little life with dried tubers.”

The winter snows did actually keep the soil “warm” in that protective way that snow cover helps plants and gives the bulbs the rest needed to be renewed.

But April is a cruel month for other reasons.

This year we had the Boston Marathon bombing. I

n 2007, there was the April 16 Virginia Tech shooting.

April 20, 1999 was the shootings at Columbine High School in Colorado.

The bombing of the Federal Building in Oklahoma City in 1995 was on April 19, a date chosen by Timothy McVeigh because it was the anniversary of the bloody end of the FBI siege on a compound at Waco, Texas in 1993.

The Columbine tragedy was on Adolph Hitler’s birthday, thought to be symbolic by the young shooters. And the FBI wondered if the date of the Boston Marathon, April 15, was significant being that it was Patriots Day, a Massachusetts state holiday commemorating the opening battles of the American Revolutionary War. The Waco and Oklahoma City tragedies were on the anniversary of the Battles of Lexington and Concord in the American Revolution.

“He who was living is now dead
We who were living are now dying
With a little patience.”

So, are the dates symbolic attempts to make a statement, or is there something about the month of April?

For extremists who believe that our federal government is as tyrannical as the British monarchy of our American Revolution, the date is symbolic of a war on a government by its own patriot people.

Of course, every month has its tragedies in modern and older times. But I have seen articles lately mentioning April as the month for not only the Revolutionary War’s start, but the American Civil War. Add to that the assassinations of Abraham Lincoln and Martin Luther King, Jr.

But I have also read that April is no more violent statistically than other months. In fact, crime statistics go up in summer.

“A heap of broken images, where the sun beats,
And the dead tree gives no shelter, the cricket no relief,
And the dry stone no sound of water. Only
There is shadow under this red rock,
(Come in under the shadow of this red rock),
And I will show you something different from either
Your shadow at morning striding behind you
Or your shadow at evening rising to meet you;
I will show you fear in a handful of dust.”

American Buddhist nun Pema Chodron wrote a book,  When Things Fall Apart: Heart Advice for Difficult Times, in which she writes that “We live in difficult times. One senses a possibility they may get worse.” Her book is a Tibetan Buddhist view in how Buddhism helps cope with fear, despair, rage and the feeling that we are not in control of our lives.

The Buddhist view that despite any planning or efforts on our part, the only thing we can predict with certainty is change. While most of us rage against the night of all that, the Buddhist surrenders to the reality of impermanence.  We can center and ground ourselves. We can discover our relationship to a higher power that controls our world, no matter what name we may give to that power.

 

“Who is the third who walks always beside you?
When I count, there are only you and I together
But when I look ahead up the white road
There is always another one walking beside you
Gliding wrapt in a brown mantle, hooded
I do not know whether a man or a woman
-But who is that on the other side of you?”

 

 

Quotations from The Waste Land (Norton Critical Edition) by T.S. Eliot