Between Aptitude and Passion

eye clamp CC

If you have heard of Sir Ken Robinson, it probably is because of his TED talks, especially “Do Schools Kill Creativity?” which makes an entertaining and good case for creating an education system that nurtures (rather than undermines) creativity. That’s how I first encountered him.  He was a professor of arts education in England and focuses on the development of creativity, innovation, and human resources.

I got to hear him speak in person at an education conference and bought his book that was new then titled The Element: How Finding Your Passion Changes Everything.

In the book’s Foreword, he tells this story:

An elementary school teacher was giving a drawing class to a group of six-year-old children. At the back of the classroom sat a little girl who normally didn’t pay much attention in school. In the drawing class, she did. For more than twenty minutes, the girl sat with her arms curled around her paper, totally absorbed in what she was doing. The teacher found this fascinating. Eventually, she asked the girl what she was drawing. Without looking up, the girl said, “I’m drawing a picture of God.”
Surprised, the teacher said, “But nobody knows what God looks like.”
The girl said, “They will in a minute.”

The book reminded me of Malcolm Gladwell’s book Outliers: The Story of Success in its structure. Both contain interviews with successful people and tries to reach some conclusions about how they achieved success. Robinson interviews people who have been successful in the arts, sports, education, and business how they have found in their “Element.”

Now, reading about people like Paul McCartney, The Alchemist author Paulo Coelho and Matt Groening, creator of The Simpsons might be interesting and might be inspiring, but the value of the book would have to be whether or not it leads YOU towards your element. These people were able to make a living (as in a salary) from a passion or were able to significantly enrich their lives through their passion. They are “in their element.”

Ah, yes – but how does one find that Element?

One way is to think about what you would do if you could erase the need to make money, and if you could erase any concern for what others thought of you. It’s not helpful if all you can say is “I would just hang out with my friends.” But if the answer is that you would just work in your greenhouse, get back to painting watercolors, volunteer at the animal shelter or write poetry, you might have a start.

Robinson describes the Element in his book as the “meeting point between natural aptitude and personal passion.”

He talks about the idea of “multiple intelligences”, an idea proposed by Howard Gardner in 1983.

Robinson feels there is a big difference between asking if people are intelligent – as we do with testing – and asking how they are intelligent – which we don’t do very often at all.

So, the Element is a place, a point where the activities you enjoy and are (perhaps, naturally) good at, meet.

Robinson emphasizes the importance of finding a circle of like-minded people with your passion and of mentors. As you would expect with his background, he also talks about reforming and transforming education.

Robinson doesn’t feel that your age and occupation are barriers. But, getting back to that original question to ask yourself, eliminating the need to make a living and being able to reject the opinions of others as you follow your passion is no easy task. Still, the book might be what finally pushes you to see your passion and move toward that point.



TED Talks – Sir Ken Robinson on “Do schools kill creativity?” He makes an entertaining and good case for creating an education system that nurtures (rather than undermines) creativity.

http://www.sirkenrobinson.com

Pebble Meditation

Now that I am back into reading to little ones, I’m looking in the boxes of stored children’s books from my own sons. My grandkids are both under three so some books are too advanced but this is one that I will eventually introduce at one of their sleepovers.

Pebble meditation is a technique to introduce children to the calming practice of meditation. It was developed by Zen master, best-selling author, and  Nobel Peace Prize nominee, Thich Nhat Hanh. In A Handful of Quiet: Happiness in Four Pebbles and A Pebble for Your Pocket, he offers illustrated guides for children and parents, so this is not just a children’s book.

Many books in the children’s section of the library and bookstore are worth being read by older people. This meditation can be practiced alone or with a group or family and can help relieve stress, increase concentration, encourage gratitude, and help children deal with difficult emotions.

A very simplified how-to of the process:

  1. A participant places four pebbles on the ground next to him or her.
  2. At three sounds of a bell,  each person picks up the first pebble and says, “Breathing in, I see myself as a flower. Breathing out, I feel fresh. Flower, fresh.”  Breathe together quietly for three in and out breaths.
  3. The next pebble is for “Breathing in I see myself as a mountain, breathing out, I feel solid. Mountain, solid.
  4. Pebble 3’s recitation is “Breathing in I see myself as still, clear water, breathing out, I reflect things as they really are. Clear water, reflecting.”
  5. And the fourth pebble has us saying “Breathing in I see myself as space, breathing out, I feel free. Space, free.”
  6. End with three sounds of the bell.

I would compare my own use of a grief stone to this practice. In some workshops, participants may find pebbles that can represent people in their lives and use those pebbles when they breathe in and out and feel a connection to that person.

There are pebble meditations that focus on specific areas of growth. For example, using the six paramitas, or six perfected realizations, are the elements that help us cross from suffering to liberation. The six are generosity, diligence, mindfulness training, inclusiveness, meditation, and understanding.

Another pebble meditation uses the three jewels (Buddha, Dharma, and Sangha), and another uses the Four Immeasurables (loving kindness, compassion, joy, and equanimity).

Do you have to be a practicing Buddhist to do this? Not at all. The terms used can translate to more common terms in many cases. Some people write words on stones and use them on a regular basis. (I see online that, of course, you can also buy stones with affirmations on them.)

What is there about the physicality of a pebble that helps one connect to a particular idea?


Thich Nhat Hanh’s meditation presented by Plum Village brother Thay Phap Huu.

Reading Updike on a Rainy Friday Night

I was dusting bookshelves today and as I went past my row of books by John Updike I had to pull a few off and look into them.

I really liked Updike’s stories and novels. My wife and I used to read the books together every summer for a number of years. I also admired Updike’s three pages per day writing requirement. He really worked at his writing.  It paid off. He had a 50+ year career and has 67 books listed on his Wikipedia bibliography that includes 21 novels, 18 short-story collections, 12 books of poetry, 4 children’s books, and 12 collections of non-fiction. Many of my favorite pieces of his fiction are found among his 186 short stories.

I wasn’t reading Updike in 1960. That was the year he was 28 (I was 7) and he published his second novel, Rabbit, Run.  The New York Times called the book a “shabby domestic tragedy,” but also “a notable triumph of intelligence and compassion.” I would read it during the summer 0f 1968 after I had read a book of his stories, Pigeon Feathers, and then his first novel, The Poorhouse Fair.

The stories especially appealed to me, since I saw myself as a budding short story writer and was reading Hemingway, Salinger, Faulkner, Fitzgerald and other story writers too. I would go on to read almost all the stories and novels in chronological order of their publication. I wanted to write little, perfect stories like his “A&P.” I was a high school boy and immediately identified with Updike’s boy working at the checkout counter in an A&P supermarket when three young pretty girls walk in wearing nothing but bathing suits. That little plot unfolds quickly and tragically.

In my freshman year of college as an English major, I was assigned to read his newest novel, Rabbit Redux.  a sequel to the first Rabbit book.

I gave her my copy of the sexy Couples novel when we were dating, and we both read Marry Me when it came out and we were a few years from being married ourselves.  Updike chronicles many marriages and many uncouplings, some based on his own life story.

Updike received two Pulitzer Prizes for two of the four Rabbit novels. There is also “Rabbit Remembered” a long story (or novella) that came later. Those tales chronicle Harry “Rabbit” Angstrom, an ex- high-school basketball star who first deserts his wife and son and then explores sexuality, marriage, parenting and also the time he is passing through in America.

I heard an interview he did at the time of his fourth Rabbit novel, Rabbit at Rest, which chronicles the end of Harry’s life. It is a sad book about grandpa Harry in his Florida condo, still dealing with his son, Nelson, and his wife, Janice, and an 1989 America that is a post-Reagan time of debt, AIDS, and President Bush 41. It won him another Pulitzer Prize. What interests me in the interview and book is his own thoughts about death. (He died of lung cancer in January 2009.)

I found a video that has John’s son, David Updike, interviewed about being the child of a writer. David was (is?) a teacher and also a writer and I have enjoyed reading his work. I have his children’s books and his books of stories and they are very good. It certainly must have been more negative than positive to be the son of John Updike if you wanted to be a writer. I like in this video David’s decision that he would give up writing a piece of fiction if it meant hurting someone he cared about. I don’t think his father held that belief.

John Updike received much praise in his lifetime for his writing. He also was pretty strongly disliked by some of his fellow writers and by feminists. He was, like too many famous men I admire, not a very good husband or father. But I think even some of those who are not fans concede that his prose is beautiful, often poetic.

I came to John Updike’s poetry much later than the books and stories. I love reading poetry, and I like some of his poems, but I feel like his prose had more poetry in it than many of the poems. I have used a few of his poems on my poetry blog

I took this passage from Updike’s wonderful story “Pigeon Feathers” and broke the sentences into more “poetic” line breaks using his punctuation most of the time. This “found poem” is about what it means to be dead as seen by teenage David as he walks at night across his farm home to the outhouse and imagines a grave. As I said, his prose is so often poetic, that it is easy to hear the sentences as lines in a poem.

A long hole in the ground,
no wider than your body,
down which you are drawn
while the white faces above recede.

You try to reach them
but your arms are pinned.
Shovels pour dirt into your face.
There you will be forever,
in an upright position,
blind and silent,
and in time no one will remember you,
and you will never be called by any angel.

As strata of rock shift,
your fingers elongate,
and your teeth are distended sideways
in a great underground grimace
indistinguishable from a strip of chalk.

Return to Some Hundred Acre Wood

“Happy may be all very well, Eeyore,
but it doesn’t butter any parsnips.”
~ Rabbit

Some Christopher Robin has been playing in my wood.

Everyone should have their own hundred-acre wood like Christopher Robin and his imaginary friends. It would be wonderful to own the woods, but that’s a bit much for all of us to own. At least, you should have a hundred-acre wood that you can easily visit and walk and really get to know.

I have such a wood. It’s a 15-minute walk from my front door.  It is actually 157.19 acres. There’s a reservoir on one side that can pass for a lake, a road alongside the edge of a cliff, and a small mountainside park.

It was an acreage gifted to the New Jersey county of Essex (which does sound English) with the stipulation being that it be preserved in its natural state. All that’s changed is a small parking area and some trails that were actually part of a minimal design by the Olmsted Brothers.

I like to walk to the Quarry Point scenic lookout. Spring and fall are good times to watch migratory hawks there. On today’s winter walk, it was quite empty of people. No bears or other creatures except in the imagination.

Ashdown Forest, Milne and Shepherd (illustrator) memorial, Gill’s Lap

I was browsing at a bookstore during the week and I came across Return to the Hundred Acre Wood in the Pooh section.  I didn’t recognize that title as part of the Pooh books. That’s because it was written by David Benedictus as the first official post-Milne Pooh book written with the full backing of A. A. Milne’s estate.

Pooh, Tigger, Piglet and Eeyore (and one new character, Lottie the Otter) return to Christopher Robin’s wood.

It has nice illustrations by Mark Burgess who also worked on new versions of another famous bear named Paddington.

It has been more than 80 years since Christopher Robin said goodbye to Winnie-the-Pooh and his friends in the Hundred Acre Wood and now he returns from boarding school.

It is similar to the originals but not the same thing. It has ten stories, like the originals, but I don’t think I like this older Christopher. Would A.A. Milne have wanted them to ever grow any older?

A.A. Milne was born in 1882. He graduated from Cambridge, became Assistant Editor at Punch, a classic British humor magazine, got married, enlisted when World War I began, started writing and had his first play produced in London in 1917 and was considered a witty and fashionable London playwright.

In 1920, his son, Christopher Robin Milne was born and when Christopher was three, while they were on holiday Milne began work on a collection of verses for children which was published as When We Were Very Young in 1924. The characters were based on his son’s stuffed animals (except for Owl and Rabbit) and the bear was called Edward.

All Quiet on the Western Front

This book is to be neither an accusation nor a confession,
and least of all an adventure, for death is not an adventure
to those who stand face to face with it. It will try simply to tell
of a generation of men who, even though they may have escaped shells,
were destroyed by the war.

I read the novel  All Quiet on the Western Front in 1966. I was 13, in junior high school, and probably still believed that being a soldier was pretty cool. My dad had been in the Navy in WWII and I had taken to wearing his old Navy denim jacket and an Army field jacket that a family friend had given me.

Although the Vietnam war was heating up and starting to be part of the nightly news, I wasn’t all that aware of the politics, and Army/Navy surplus clothing was popular with teenagers including the “hippie” that were starting to show up in town and at the high school.

I chose the book from a stack the teacher offered of classics for book reports. I thought from the cover that it would be a war novel with some action.

There was certainly an anti-war movement in the country at the time, but I was at the fringe. That was something high school and college students were doing. We were still kids. All Quiet on the Western Front must have been my first anti-war novel and then I watched the 1930 film version.

At the age of 18, the author, Erich Maria Remarque, was drafted into the German army to fight in World War I. He was wounded five times. In 1929, the novel he had been working on for 10 years was published. The book was an immediate international success. It was banned in Germany, and in 1938, Remarque’s German citizenship was revoked.

All Quiet on the Western Front is the story of Paul Bäumer, the narrator, a young man of nineteen who fights in the German army on the French front in World War I. Unlike Remarque, Paul and several of his friends from school joined the army voluntarily after listening to the stirring patriotic speeches by one of their teachers.

The speeches turn out to be false as they go through their basic training with a petty, cruel Corporal. The patriotism gets beaten out of them by the time they get to the front.

Paul’s squad gets bombed in a French town close to the front. One of his friends dies and another is severely wounded. Paul, who is also wounded, is granted leave and at home finds out his mother is dying of cancer. He realizes that the older men in town, like his teacher, have no sense of the horrors of modern warfare. He tells his friend’s mother that when he was killed he did not suffer. That’s a lie.

As the book closes, he is writing a letter to a friend, the only other survivor of their class, though he is now an amputee. I don’t know if there need to be spoiler alerts for a book and film that are so old, but the conclusion of the novel (and film) really hit me hard as a kid. I’ll leave that unmentioned.

Like Paul and his friends, I started to think about concepts like nationalism, patriotism, the draft, and Vietnam. I started to pay attention to the anti-war movement rhetoric. I didn’t see war as glorious or honorable as I had as a kid playing army with my friends in the neighborhood. I shifted my fear from the atomic bombs they had warned us about in elementary school to the war that I might be required to enter in a few years.

AllQuiet400a-shp
frame from the 1930 film

“Comrade, I did not want to kill you. . . . But you were only an idea to me before, an abstraction that lived in my mind and called forth its appropriate response. . . . I thought of your hand-grenades, of your bayonet, of your rifle; now I see your wife and your face and our fellowship. Forgive me, comrade. We always see it too late. Why do they never tell us that you are poor devils like us, that your mothers are just as anxious as ours, and that we have the same fear of death, and the same dying and the same agony—Forgive me, comrade; how could you be my enemy?”

Paul says those words to the dead body of a French soldier whom he has just killed. It is when he first realizes that for any differences of birth or uniform, the enemy is fundamentally no different from him.

The 1930 film version of All Quiet on the Western Front is considered a classic. It won the Oscar for best picture. It is directed by Lewis Milestone. I saw it when I was a teen and later in a film course in college on a big screen.

I originally saw the film version in the “Film Society,” an after-school club that a teacher ran in my high school. That year, the idea of being drafted and going to Vietnam was very real. With all the anti-war sentiment amongst my classmates, the opening sequence of a teacher urging his students to volunteer while troops marched outside their classroom actually got some laughs from our audience. Who would volunteer to go to war?

The film probably seems somewhat dated to modern audiences used to graphic battle footage, but the effect of the camera in the trenches and how the young soldiers quickly lose their ideas of glory on the battlefield still had an impact on me. World War I seems like ancient history to a young audience today – as does WWII, Korea and even Vietnam.

Without a draft, I don’t know that high school and college students give the same thought to war. I was in the last class to be in the draft lottery which we watched on TV in my Rutgers freshman dormitory. That lottery (which always makes me think of the Shirley Jackson short story that we had read in a high school English class) must seem absurd to kids today. We sat in our dorm and watched someone pull balls out – just like the nightly state money lotteries of today – with birthdays and a corresponding number that determined where you were in the draft line. I lucked out with a high number. What could you say to the kid sitting next to you with #10?

In the film, Lew Ayres was the unknown actor who played Paul. I only learned in researching this article that Ayres became a pacifist and conscientious objector during World War II. He did serve in battle as a medic, but taking that position hurt his career in a time of great patriotism between the two world wars when you would have expected a young man to feel that loyalty to his homeland that the German professor pushed at his students.

Now, as American troops have left Afghanistan, war means Russia’s invasion of Ukraine. You see warfare and its effects on the nightly news. South Vietnam fell after U.S. troops left. Today, people go there on vacation. What did we accomplish?

Erich Maria Remarque was born in Osnabrück, Germany in 1898 and became a citizen of the United States in 1947 and was married to American film star Paulette Goddard. He died in 1970.

I watched the latest film version of the novel. It is a 2022 German film (in English). It’s very good but it is much more graphic than earlier versions. It follows the idea that to be anti-war it needs to show us the horrors and futility of war.

Planetary Intelligence

If I asked you about “planetary intelligence,” you might sarcastically say that there doesn’t seem to be very much of it. So, let me adjust your definition.

I came across the book, Ways of Being, which is about the different kinds of intelligence on our planet. That includes plant, animal, human, and artificial intelligence,

What does it mean to be intelligent? A typical answer to that from most people might be a discussion of people being “smart.” There might be some distinction between the knowledge ones acquires from reading and school and another kind of intelligence that seems to be natural or acquired outside school. But the focus would be on human intelligence.

Is intelligence something unique to humans? I’m sure that in centuries past, the idea that plants and even other animals could be “intelligent” wouldn’t be accepted. That has changed in the past 200 years and the much more recent advances in “artificial intelligence” have made the definition of intelligence itself much broader.

A dictionary might define intelligence as the ability to acquire and apply knowledge. Is that what plants and animals are doing when they adapt to changing ecosystems or communicate with each other? The intelligence of animals, plants, and the natural systems that surround us are being more closely studied and show us complexity and knowledge that we never knew existed.

The book’s author is James Bridle who is a technologist, artist, and philosopher who uses biology, physics, computation, literature, art, and philosophy to examine Ways of Being: Animals, Plants, Machines: The Search for a Planetary Intelligence. His goal is to find what can we learn from other forms of intelligence can make ourselves and the planet better. Maybe this new way of thinking about intelligence can even improve our technologies, societies, and even politics. Can we live better and more equitably with one another and the nonhuman world?

I listened to the book on audio and had to stop and rewind a few times. It can get pretty far out from what we normally think about intelligence.

One concept that stands out is “emergence.” That is a word used in many fields today. The shape of weather phenomena, such as hurricanes, are emergent structures. The development and growth of complex, orderly crystals within a natural environment is another example of an emergent process. Crystalline structures and hurricanes are said to have a self-organizing phase. Are they intelligent?

Water crystals forming on glass demonstrate an emergent, fractal process.

A few years ago, I read Bridle’s earlier book New Dark Age. It is indeed a dark look at the Internet, information overload, conspiracy theories, algorithms, and artificial intelligence. The latter seems to have grabbed hold of him and, though there is some optimism in the new book, his vision of AI is still dark.

While proponents of artificial intelligence still portray it as our friend or companion, AI often seems to be something to fear as it is strange in ways that seem like science fiction. Bridle doesn’t say it but AI sometimes seems to be more of “alien intelligence” than “artificial intelligence.” Not that it comes from other places in the universe, but that much like the sci-fi tales where aliens came to conquer our planet, AI might be an intelligence that will try to supplant us.

Okay, I’ll stop there because now I’m venturing into conspiracy theory land myself.