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Kurosawa had 60-year career that includes classic films like Rashomon, The Seven Samurai and Ran. He was a painter and you can see that in his films. One of his last films was Dreams (1990). It was the first of his films for which he alone wrote the screenplay.
The film begins in a gallery with several Van Gogh paintings. An art student is studying the paintings and he enters the French countryside of the paintings.
The film is in brilliant van Gogh colors and brush strokes. The student meets Vincent. Although Dreams is in Japanese, this episode is not – the student speaks French to a group of women, and Vincent speaks regular Scorsese New York English. (The video below also has Spanish subtitles.) I almost wish there was no dialogue, as the visuals are what are most interesting.
Trailer for DREAMS
JOE’S VIOLIN is a documentary short I saw screened at the 2016 Montclair Film Festival. It was produced and directed by two Montclair women, Raphaela Neihausen and Kahane Corn Cooperman, and began with a Kickstarter campaign.
It was nominated for an Oscar this morning for Documentary Short Subject.
At the screening, we met Joseph Feingold, a 91-year-old Polish Holocaust survivor who donated his violin of 70 years to a local instrument drive, and we met student Brianna Perez who was the recipient of Joe’s violin.
The Mr. Holland’s Opus Foundation (MHOF) selected The Bronx Global Learning Institute for Girls (BGLIG) for the violin donation. The screening in Montclair featured a musical performance and extended Q&A with the filmmakers and subjects.
Hurrah for independent films, local artists and the Montclair Film Festival.
For more information on the film, go to http://www.joesviolin.com/
You can also watch the film online at http://www.joesviolin.com/watch-now
I just saw Alice Through the Looking Glass, the sequel to the Tim Burton’s Alice in Wonderland. Both star Johnny Depp and Mia Wasikowska, with Helena Bonhan Carter and Anne Hathaway but the sequel (directed by James Bobin) is crazier than the Mad Hatter.
I am a fan of all the Alice books by Lewis Carroll, and I enjoyed Tim Burton’s Alice in Wonderland.
I also enjoyed the Disney animated Alice in Wonderland when I was a kid. Back then, I liked the Cheshire Cat. In the mid-1960s, it was the hookah-smoking Caterpillar that got all the attention. “One pill makes you larger. One pill makes you small,” sang the Jefferson Airplane in “White Rabbit.” We knew that Lewis Carroll had to be tripping on something.
I was ready for a Burton sequel. I was okay when they announced another director because the original casting was intact. It’s been six years since the first film was released.
Here’s the problem. They took Lewis Carroll’s title and the characters, but they chucked the plot. That is always a bad sign.
Actually, I thought I might even be okay with the new plot because they slipped in one of my favorite things – time travel.
In this version, Alice still enters the magical looking glass and goes back to Wonderland. She discovers that the Mad Hatter is acting madder than usual. He needs closure about what happened with his lost family. To do that, Alice has to travel through time.
She finds and hijacks a Chronosphere and zips through time to deal with her friends and their enemies at different points of their lives.
Alice Through The Looking Glass flopped at the box office. I doubt that the reason was that there are too many Carroll purists out there.
I watched it and I was entertained. It wasn’t great filmmaking, but the effects were well done. the outrageous performances were, well, outrageous, as i suppose they must be in Wonderland.
The film sent me back to the books. I was delighted that as an Amazon Prime person, I could get all four Alice books free on my Kindle. Most people don’t know there is more to Alice than just the first Wonderland book. The tetralogy includes Alice in Wonderland, Alice Through the Looking Glass, the Alice-related fantasy verse The Hunting of the Snark, and Alice’s Adventures Underground. That last one is the shorter, original Alice in Wonderland manuscript which Carroll wrote for his friends and family. They encouraged the mathematician to expand the book and send it to a publisher.
Martin Gardner wrote in the introduction to his The Annotated Alice “that life, viewed rationally and without illusion, appears to be a nonsense tale told by an idiot mathematician.”
Lewis Carroll, an imaginative mathematician, believed that nonsense was the hidden art of language.
In the first chapter, Alice is playing with her kittens in the house and she starts to wonder what the world is like on the other side of a mirror’s reflection. Isn’t that a kind of mathematical thought too?
She climbs up on the fireplace mantel and pokes at the big wall mirror behind the fireplace and discovers that she can step through it. On the other side is a reflected version of her own house. She finds a book of poetry with “Jabberwocky” in it. It has reversed printing but she can read it by holding it up to the mirror. She can see that the chess pieces from her house have come to life, though they remain small enough for her to pick up.
The second section of the book actually has a lot of changes in time and spatial directions as plot devices, so maybe that inspired the new film. There are lots of plays on mirror themes – things are opposite, time goes backwards.
Alice says that she thinks time is a thief. She gets no argument from me on that.
Okay, so I am a sucker for time travel stories in print and on a screen. When I read that two new time travel television shows would launch this season, I set my DVR.
As I have written before about time travel stories, they have a long history in print from H.G. Wells The Time Machine and likewise in the movies and on TV.
Timeless is one of the new time travel series that premiered this fall. In it a history professor (Abigail Spencer), a scientist (Malcolm Barrett) and a soldier (Matt Lanter) are charged with trying to stop Garcia Flynn (Goran Višnjić). Flynn is (or appears to be) a time-traveling criminal who has stolen the main “mothership” time machine from a research facility and seems bent on changing the course of American history.
The show went through lengthy negotiations in order to get “in-season stacking rights”, which allows NBC to stream all episodes of the series’ current season via all the network’s online platforms.
Flynn and his associates are plotting to rewrite American history, but the team of three other “good guys” time travelers (using a smaller auxiliary time machine) also have some connections to Flynn’s plan. Lucy Preston’s primary concern is for her ailing mother. Master Sergeant Wyatt is grieving over the recent demise of his wife. Rufus, the scientist who helped develop the time machine, is distressed over the fact that criminal mastermind Garcia Flynn stole his invention.
In the first episode, they traveled back to the day the Hindenburg zeppelin burst into flames while landing in New Jersey. They should never change the past, but it ended up that the crash still occurred but in a different way. That set up changes in the present that they returned to in 2016. I like that so far the plots have not left history “as is” but that the changes are good, bad and still largely unknown.
Frequency is the other new television series that airs on The CW. It is inspired by the 2000 film of the same name. In the film, given the chance to travel back in time and change one event in his life, the protagonist John Sullivan wants to undo a fire took the life of his firefighter father.
Similar to the film, the TV show is set in 2016, where NYPD Detective Raimy Sullivan (Peyton List) discovers that she is able to speak to her deceased father Frank Sullivan (Riley Smith) twenty years back in time in 1996 using his old ham radio.
Her attempts to save his life trigger a “butterfly effect” that occurs when we change the past and it sends ripples that changes the present in unforeseen ways. So far, in order to fix the damage, she must work with her father across time via the radio to solve a decades-old murder case.
Author Arthur C. Clarke is probably best known for the novel and screenplay for 2001: A Space Odyssey. His writing always seemed to me to be more “science” than much science-fiction.
Clarke contributed to the idea that geostationary satellites would be ideal telecommunications relays and the geostationary orbit is now sometimes known as the Clarke Orbit or the Clarke Belt in his honor. Clarke, who died in 2008, was knighted by Queen Elizabeth II, and he is the only science-fiction writer to be nominated for the Nobel Peace Prize.
Childhood’s End was a novel I taught several times and read very closely with students. It was written in 1953 and set in the late 20th century. Its plot, thankfully, did not occur by the end of that century. Well, it didn’t occur in the way Clarke described.
This novel was an early example of the “first contact” with aliens story. When he was writing, it was the time of the United States and the Soviet Union competing to be the first in space and building rockets to fight nuclear war. That conflict was often portrayed in science fiction as aliens, nuclear mutants and “body snatchers.”
Childhood’s End opens at a time when we are preparing to launch the first spaceships into orbit for military purposes. That is when huge alien ships appear over Earth’s biggest cities. The “space race” immediately ends as we unite in our defense of the planet.
It only takes a week before the aliens announce that they will take over all international affairs. But the Overlords, as they call themselves, are doing this for our own good. They see that we are on the verge of destroying our planet and humanity.
The Overlords never appear, but Karellen, the “Supervisor for Earth,” is their representative speaks directly only to Rikki Stormgren, the UN Secretary-General.
Karellen says, “Your race, in its present stage of evolution, cannot face that stupendous challenge. One of my duties has been to protect you from the powers and forces that lie among the stars—forces beyond anything that you can ever imagine.”
The plan is that the Overlords will reveal themselves in 50 years, when humanity is used to their presence.
Rather than the aliens of War of the Worlds and other novels, the Overlords don’t try to destroy Earth. They plan to make it better. Earth prospers. The end of war. A kind of utopia.
Things seem good, though not everyone is trusting. Spoiler alert: When the Overlords are finally seen, they look very much like our image of the Devil.
When Clarke died in 2008, no one had been able to bring his novel to the screen. Clarke unsuccessfully tried to adapt his novel back in the 1960s with filmmaker Stanley Kubrick. Kubrick moved on to 2001: A Space Odyssey which started with Clarke’s 1951 short story “The Sentinel.”
This year Childhood’s End finally came to the smaller screen in a three-episode series on the SyFy channel.
So, the Overlords didn’t come to Earth. Or did they? I wrote earlier today about how many of us are willingly giving up control of our lives for the sake of convenience. Maybe the “overlords” are here in the form of algorithms and technology.
Take that idea a step further and some have suggested that the technology was put here by aliens. Okay, this moves beyond science fiction into fringe science, but there are believers.
Clarke’s Overlords are very interested in psychic research. At a party, guests play with a Ouija board. They ask where the Overlords came from and the answer is a star-catalog number that matches the direction the Overlords’ supply ships come and go.Do they want us to know?
Without giving away the plot, I’ll say that psychic abilities and the children of Earth are keys to the Overlords’ ultimate plans.
Even the Overlords give up control to the Overmind. The Overmind is the interstellar Hive Mind that Clarke said dominates the Milky Way Galaxy.
Is the Internet and all its technology the Overmind? The Internet launched in the 1980s. If the Overlords decide to reveal themselves to us, it would be in the 2040s. Beware the Overmind.